Continuing with the theme of edges, I discovered these edge-on views of Shezad Dawood's textile works at the Newlyn Art Gallery, Cornwall.
I love how I was rewarded with an expected mark or colour when I ventured around the side, away from the front. I think this may be something I return to. I am excited by the possibilities of exploring edges of differing materials, colours, marks etc., and how they relate to the main structure of a piece. At what point does the edge lose its 'edge' status and take over I wonder?
Inverse Pyramid, acrylic on vintage textiles Shezad Dawood 2010 |
The Sun Grows Cold, acrylic on vintage textiles Shezad Dawood 2010 |
Cosmic Egg, acrylic on vintage textiles Shezad Dawood 2010 |
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